We all missed the 18th green and had similar flop shots. I hit mine in the bunker. Poulter hit his about 15 feet past. Phil hit the famous Phil flop — lands on an upslope spins up the hill trickles down to like six or eight inches. Poulter winks at me and goes ‘He’s still got me.’ And I went ‘Yeah he’s got everybody.”
You know he made me feel guilty! Like nobody can chip compared to you you know? So he’s like ‘It’s unbelievable but when you’re chipping and you’re trying to hit it high you gotta put it on the front foot.
I thought Well at least he can have a day off be inside warm and dry. The next thing I heard was that Phil and Keegan Bradley were playing on that Saturday at Phil’s home course The Bridges in a cold rain. As I heard it Phil took him. He seems to come out on top a lot. But the point really is that Phil has to play. Golf is in Phil’s blood.”
Across my whole time at the Open this was all the golf I played. It’s a lot of work to lug your clubs to Scotland to play only one hole. It was worth it.
Charlie Golfer completely overwhelmed was speech-less for several seconds. He then enthusiastically related that his family was doing great spun around and left with his chest puffed out telling his friends ‘See? I told you he was the nicest guy ever. And he’s got a helluva memory!”
On Friday after a long day at the paragraph factory I met Bamberger and fellow colleague Sean Zak for a late dinner in St. Andrews. It’s a bit of a drive to get from there to Carnoustie but I had chosen to stay in the Auld Grey Toon because I love it so much.
Then I noticed an artist’s studio behind it filled with spectacular modernistic seascapes. There was a note from the artist inside: if you wanted to see him knock on the door in the house behind it. It was starting to feel familiar.
One half of me thought “Leave him alone. Let the man do his job.” The other half said “Damn it ask him about Carnoustie’s wicked-fast fairways!” Curiosity may have killed the cat but it nurtured our convo.
With Sean acting as caddie and gaffer Mike rapped a putt up the hill to 25 feet. I grinded with absurd intensity on my putt and hit a good one leaving a couple of feet.
I’m not that old but I am a dinosaur. I started covering the Open long before the Internet existed. In those halcyon days writing only for a weekly magazine I would routinely sneak out of the press tent around supper time and play golf until the sun set around 10 p.m. Some combination of fellow SI warriors Michael Bamberger John Garrity and Gary Van Sickle served as wingmen. These twilight rounds on the linksland were one of the great pleasures of the job.
As we walked up the fairway my new friend was an open book. Thompson who teaches in central England just so happened to make the cut on the number at the 1999 Open at Carnoustie when it was dubbed Car-Nasty. To play four days at an Open he admits is a feat. (He’d help Enoch make the cut too. On the number because of course.)
That was the first time I met Thompson. The second time came five days later. He was seated on a curb with a sharpie and British Open flag in hand. Throughout the week he had snagged an autograph from every Open champion on the property.