“I’ve had a couple of interactions with Phil but the one time I really talked to him was at Oakmont in 2016 right after the St. Jude where he hit this shot on No. 17. He was right up against a tree and he hit a big slingin’ hook around the tree to about six feet. I walked up to him at Oakmont and was like ‘Dude that was the greatest shot I think I’ve ever seen in my .’And he was like ‘You liked that? You liked that?’ I was like ‘Yeah!”
Then I noticed an artist’s studio behind it filled with spectacular modernistic seascapes. There was a note from the artist inside: if you wanted to see him knock on the door in the house behind it. It was starting to feel familiar.
We all missed the 18th green and had similar flop shots. I hit mine in the bunker. Poulter hit his about 15 feet past. Phil hit the famous Phil flop — lands on an upslope spins up the hill trickles down to like six or eight inches. Poulter winks at me and goes ‘He’s still got me.’ And I went ‘Yeah he’s got everybody.”
Of course Phil being Phil after the Euros lost at Hazeltine ten years later he comes up to me in his Team USA onesie whilst I was having a drink with Davis Love and he gets on me like you wouldn’t believe just giving me all kinds of guff. Brutal but brilliant! But that’s who Phil is: a character a competitor — a natural-born winner.”
On Friday after a long day at the paragraph factory I met Bamberger and fellow colleague Sean Zak for a late dinner in St. Andrews. It’s a bit of a drive to get from there to Carnoustie but I had chosen to stay in the Auld Grey Toon because I love it so much.