Then I noticed an artist’s studio behind it filled with spectacular modernistic seascapes. There was a note from the artist inside: if you wanted to see him knock on the door in the house behind it. It was starting to feel familiar.
That was the first time I met Thompson. The second time came five days later. He was seated on a curb with a sharpie and British Open flag in hand. Throughout the week he had snagged an autograph from every Open champion on the property.
I knocked on the door and David Joy answered. He remembered our visit and he had the book on his shelf with hundreds of others. He’s in his late 60s and recovering from a stroke and learning to paint again and doing it spectacularly well.